My story is better than your story
In 1959, William Castle produced The Tingler, a B-movie horror film staring Vincent Price. Castle had earned a reputation as a showman with his previous films due to his crazy promotions, such as insuring the audience for $1 million in case of death by fright, and he needed to top himself. In his autobiography, Step Right Up! I’m Gonna Scare the Pants Off America, Castle described pitching The Tingler to Vincent Price:
“The character you play has a theory that the ‘Tingler’ is in everyone’s spine. Usually, people who are frightened scream, and screaming keeps their ‘Tingler’ from growing. Judith Evelyn will play the part of a deaf-mute who runs a silent movie theatre. Experimenting, you scare the hell out of her. Because she can’t utter a sound — is unable to scream — her ‘Tingler’ grows, crushing her to death. You operate, remove the ‘Tingler’ from her spine, and keep it in a glass jar in your laboratory. Then it escapes and gets into the silent movie theatre. We’ll then make believe that the theatre is where the picture is actually playing. The ‘Tingler’ will attack the projectionist and then get onto the screen. It’ll be a movie within a movie. Audiences seeing it will think it’s loose in the theatre they’re in. We’ll put your voice on the sound track and after the lights go out . . . you announce that the ‘Tingler’ is loose in the audience and ask them to scream for their lives…. All hell will break loose.”
“Do you think it’ll work?” Vinnie asked.
“I know it will.”
The movie folding in on itself was an audacious gamble at the time, but Castle took it even further — he had every third seat in the theaters playing The Tingler wired with buzzers to give the audience a shock. He turned the audience into participants. If you went to see The Tingler, you walked in to see William Castle’s story, but you walked out with your own story to tell, because Castle turned you into a (minor) character in the Tingler myth. “The Tingler went into my theater and I felt it in my spine!”
This is a powerful way to think about constructing narratives online. Instead of thinking about how you will tell your story, think about how you can give people a piece of the story to tell.
This requires the storyteller to put the audience at the center, to give them an active role. It’s not something that comes naturally to traditional storytellers, because it requires ceding some control over how the story is told, but when done right it can be very effective on many levels.
“My” is powerful, and my story is better than your story.


Frenzied Waters, Campfire’s big summer campaign for Discovery Channel’s Shark Week, was a huge success.